Instructors Bios
Danie Janov is an artist/art educator with 25 years of
experience
teaching art and design at the college and university level and continues
to teach
workshops here and yon. She has a BA from Georgetown College in Art
and English, an MA from Radford University and a doctorate from Ball State University
in Art / Art Education and is a signature member of the Watercolor Society of North
Carolina. Her own artwork in watermedia reflects her interest in nature from intricate shapes to simple
abstractions of pattern and light.
Monita Mahoney is an award-winning multimedia artist and a
signature member of the South Carolina Watermedia Society. Her primary
focus is watermedia exploration, although she works in many mediums. She says, "Working in more
than one medium is like a farmer rotating his crops to replenish the earth…each medium I use enhances my
use of the others."
As an experienced art administrator, an art teacher and an artist, she
understands the nuances of the art process and is an "ARTapedia" of tips,
techniques and magic tricks.
Danalee Pipes
spent 20 years as a left-brained RN and
"retired". Her daughter Sarah encouraged her to take an art class for "therapy." One class led to
another and eventually led to Dannie being a frequent student at
Hemlocks. She now applies her skills in organization with a
creative eye. Comfortable with two-and three-dimensional art forms,
she combines imaginative ideas and innovative techniques with unique
materials. She is the Visual Art chair for the Stokes County Arts
Council
and the "resident" artist at Stokes Opportunity
Center-for disabled adults,
where her "students" have become
her new passion.
Sue Russell has a BFA in Graphic Design
from the University of
Georgia, an MA in Art/Art Education
from Arizona State University and is a signature member of the South
Carolina Watermedia Society.
She has taught art at every level for a gazillion years and taught,
worked and exhibited and lived in Saudi Arabia and Germany. She
declares that there may be instructors as good as she is, but there are
none who are better. She carries a sketchbook wherever she goes,
capturing movement with line, space with shapes and ideas in words.
After the images and ideas mesh, she takes a paint-filled brush and lets
the excitement of the moment emerge from the surface, sometimes quietly,
sometimes with fanfare.